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Showing posts from August, 2012

In a Long Island, N.Y., village called Old Westbury, at the end of a long drive lined with Gatsby-like Georgian manses, stands a glass-walled International Style house that still looks like the future. Edward Durell Stone, best remembered as the architect of Washington, D.C.’s Kennedy Center for the Performing Arts, designed the house as a weekend retreat for industrialist and art collector A. Conger Goodyear, who founded the Museum of Modern Art and served as its first president (the two first worked together on the museum’s designs). Though the residence is revered as a landmark structure—The New Yorker’s architecture critic, Paul Goldberger, called it “one of the most important houses built in the United States between the two world wars”—until last month it had not been inhabited since Goodyear’s death in 1964. In the 1970s, the Goodyear family donated it to the New York Institute of Technology, which sold it in 1997 to a Long Island developer. The developer’s plans to level the 6,000-square-foot house and build mansions on four-acre plots was thwarted by the World Monuments Fund, which placed the house on its 2002 watch list of endangered properties. With funding from the Barnett Newman Foundation, among others, the organization bought the estate in 2005. Now listed on the National Register of Historic Places, the Modernist house has changed owners several times in the past six years; most recently, real estate developer and art collector Aby Rosen purchased it in October. (If you're in the market, one of the only remaining Stone houses in Washington, D.C., is currently listed at Sotheby's for $6.9 million.)

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About The Galleria, 117 East 57th Street One of the city's most daring and innovative buildings, the 57-story Galleria was the city's first very complex mixed-use building. It includes a public galleria, 8 floors of offices, a health club and 47 floors of condominium apartments in a package that is as dramatic and elegant at its base as it is awkward and strange at its top. Many of the apartments were distinguished by the city's first major use of "wintergarden" rooms that basically were living rooms that expanded onto normal balcony areas that were glass-enclosed with curved roofs. The unusual top of the tower was especially designed as a 16,000-square-foot quadruplex penthouse for Stewart Mott, a General Motors heir with an interest in philanthropy and gardens. The building's pre-Deconstructivist top is strange, if not ugly. If it had smokestacks, it might look like debris from a scuttled battleship with its flying bridges and turrets. The look resulted from the complexity of Mott's layout. Mott, whose landscaping demands required added structural strengthening for the tower, subsequently did not move into his spectacular dream penthouse. That added a bit of intrigue to the midtown skyline, albeit with little deference to its noble neighbor to the immediate west, the Ritz Tower, which occupies the northeast corner at 57th Street and Park Avenue, or its elegant neighbor to the immediate east, the office building with the concave front on the northwest corner of 57th Street and Lexington Avenue, which was also built, a few years later, by the Galleria's developers. The apartment was eventually occupied, only to be put back on the market without much success for quite a long time. In late 1997, David Copperfield, the magician, bought it.

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